Woken is a post-apocalyptic thriller that takes viewers on a journey through a world ravaged by a pandemic. The film follows Anna, a pregnant woman with amnesia, who wakes up in a remote cottage on an isolated island. As she navigates her newfound reality, Anna encounters a complex web of intrigue and deception, all while grappling with the harsh realities of a world in turmoil. The film's premise is intriguing, blending elements of survival, mystery, and a touch of sci-fi, but it ultimately falls short of delivering a compelling narrative.
One of the film's strengths is its strong cast, particularly Erin Kellyman as Anna. Kellyman's portrayal of a bewildered and fragile survivor is both captivating and relatable. Her wide-eyed expressions and floundering movements effectively convey Anna's confusion and vulnerability. Additionally, Maxine Peake as Helen and Ivanno Jeremiah as James provide solid performances, adding depth to the characters and their motivations.
However, the film's narrative fails to fully engage and captivate. The first half of the film focuses on domestic parlor games, prettified with impressionistic visuals, which feels somewhat tepid and uninspiring. The second half shifts gears towards a more strident sci-fi narrative, introducing clandestine labs, ligament-weaving surgery units, and fascistic hazmat squads. While this shift adds an element of intrigue, it feels somewhat forced and regurgitated, lacking the originality and creativity that a post-apocalyptic setting should bring.
The film's atmosphere and setting, framed by brooding shale cliffs and an isolated island, contribute to a sense of fragility and isolation. The use of dead tortoiseshell butterflies and repulsive lobster dinners further emphasizes the desolation and unease that Anna experiences. However, the film's overall tone and pacing fail to fully immerse the audience in the post-apocalyptic world it aims to create.
One of the film's main issues is its lack of originality and fresh perspective. The conspiracy that Anna uncovers and her eventual gun-toting exit feel like regurgitated tropes, drawing heavily from the sci-fi genre, particularly the film 'Children of Men'. While there are elements of social realism and a well-acted cast, the film fails to truly stand out or offer a unique take on the post-apocalyptic genre.
In conclusion, Woken is a visually appealing but ultimately ineffective post-apocalyptic thriller. While it has a strong cast and a promising premise, the film's narrative fails to fully engage and captivate. The lack of originality and fresh perspective, combined with a somewhat forced shift in tone, leaves the film feeling underwhelming. It is a missed opportunity to truly explore the complexities of a post-apocalyptic world and the human condition within it.
